Category Archives: Clients

UConn Chem at 20

One of the sayings we have around here about our approach to design is; “endearing is enduring.” As we found during a recent event, the UConn Chemistry Building is Example 1.a. of that catchphrase.

In the two decades since the ribbon was cut, the building has endeared itself so much so that the Chemistry Department organized two days’ worth of events to celebrate its 20th anniversary. We were honored to take part in the festivities. Principal-in-Charge Mark Simon and Project Manager Jim Coan led the Blueprint Architect Tour of the building, and Mark took part in an exclusive Q&A session, going behind the scenes of how the project came to fruition.

As with any anniversary event, it was a trip down memory lane for those involved from the beginning. The first of two guided building tours started with a look at our model, which prompted Art Dimock (then-department head, now-lecturer emeritus) to recall a tidbit from the original planning meeting where the lone request from UConn Facilities Management was that the building have a pitched roof. Apparently one less building they had to worry about a flat [leaky] roof was a high priority.

The tours elicited a number of questions and comments. During one chem lab stop, a guest mentioned that there is a noticeable lack of any chemical odor. “It smells good in here.” Art attributed that to the building’s robust ventilation system.

Another guest, who is a new professor in the department and joined the tour to learn more about the building, was impressed that the labs have whiteboards on three walls – providing ample space for class participation.

One of the main talking points across both tours was the considerable extent of building systems and services necessary for a chem lab – fire protection piping, supply air ductwork, power, water, lab gases, telecommunications, etc. – and how they were laid out in layers that rundown the hallway and split off to each lab. There are no suspended ceilings in the lab areas and corridors. The original intent was, as needs and wants change over time – say changing a dry lab to a wet lab, or vice versa – that conversion work would be minimal. Building manager Tyler Cardinal confirmed the ease of access is indeed as originally intended.

Special access to the attic was granted for our tours. The sheer size of the equipment housed there is quite impressive, with the massive air handlers needed to properly vent a 200,000-square-foot chemistry building. As Mark noted, it’s also defacto bonus storage space not found in a flat roof building.

Overall, there have been very few changes in the 20 years since the Chemistry Building opened. A small library was converted to a tutoring room since journals are now accessible online. A computer lab was also adapted to a research lab since dedicated desktop workstations are no longer a necessity. There are more student locker spaces in the labs since enrollment is up in the last 20 years. Naturally, the size of equipment and instrumentation has decreased over the years, so the way some spaces are utilized has changed a bit as a result. The nuclear magnetic resonance equipment, for one, has changed dramatically. But as Mark commented upon entering one of the general chemistry labs, which can be extrapolated to the building on the whole, it pretty much is as it was in 1999.

And as it became clear from the event’s planning stages through execution, the building has indeed endured as it has endeared itself to so many. Chemistry department head Dr. Christian Bruckner, a great champion of the building, noted that only one chem faculty member has chosen to leave UConn for another institution since the building opened. He added that it is likewise a great recruiting tool for prospective faculty.

In fact, the Chemistry Building is so revered, it was commemorated on a cake during the event’s luncheon. Two cakes, to be exact!

Fun Fact #1:

The 14 large stacks perched on the roof ridges (see above) are prominent feature of the Chemistry Building’s exterior. Each is fed by multiple exhaust ducts – some more than others (see below) – but they are uniform in their size at seven feet wide by 19 feet high. Wind studies determined the height that would safely disperse the exhaust and reduce the potential for reentrainment at air intakes at this and adjacent buildings. And to add to the stack discussion – one of the 14 is actually for aesthetic purposes to keep the uniformity, and has no exhaust function. We’re not telling you which one, though!

Fun Fact #2:

The floor tile in the hallways of the two lab wings have a feature that would likely go undetected by a guest, but is essential knowledge to lab users. The darker tiles designate where the emergency services are located. So if one accidentally gets chemicals in their face, perhaps resulting in impaired vision, they can trek toward the distinguished dark tiles for the wash station. And to answer a follow-up question from the tour, there is no drain at the emergency wash station since the chemicals have to be safely contained.

Fun Fact #3:

The Chemistry Building has its own machine shop in the basement, where instruments can be manufactured or modified as needs arise for different experiments. There was also originally a glass blowing shop next door to the machine shop, but that service has since been outsourced.

To see more about the 20th anniversary events, UConn Chemistry set up a webpage on their site to commemorate the milestone. You can also check out this preview of the events from the UConn student newspaper.

Historical Context

Yale Peabody Museum of Natural History (Centerbrook Architects/James Corner Field Operations)

Our current job designing the expansion and renovation of the historic Yale Peabody Museum of Natural History is fascinating in a number of ways. I wouldn’t be doing my job if I didn’t encourage you to read more about that on our project page, but in this blog post I wanted to share a neat historical tidbit that ties the Peabody with another prominent past client.

Like any of our renovation projects, I try to poke around the internet and find out all I can about a building’s history. And one of the pieces I always look for is who was the original architect. With the Peabody Museum, I was fairly quickly able to discover that it was designed by Charles Klauder. That was confirmed by an image of the original plans our architectural staff had attained.

Peabody Museum plans, dated March 21, 1923 (Yale University)

My inquiring mind then wanted to know more about Klauder. I quickly learned that he was one of the most notable campus architects of the 20th century, and he started in the profession at age 15! His list of design credits include institutions like Brown, Cornell and Princeton.

With a passion for sports history, I immediately recognized the name of perhaps his most famous campus building: the Cathedral of Learning at Pittsburgh. It was from atop the Cathedral that this famous and stunning image was taken of the 1960 World Series at Forbes Field below.

For the non-baseball historian, the Cathedral of Learning is notable as it is the tallest education building in the U.S. at 42 stories. It’s an icon not only of the University of Pittsburgh, but of the city itself.

Cathedral of Learning, University of Pittsburgh (Don Burkett/Wikimedia Commons)

After learning Klauder designed the Cathedral at Pitt, next I noticed he did Franklin Field at Penn. Wow. The Palestra, too. Double wow. Now you’re talking my language. Each of those venues oozes with sports history.

Franklin Field is home to the famed Penn Relays, Quakers football, and once upon a time the Philadelphia Eagles. Franklin is where the Eagles’ last NFL championship prior to this past season was clinched, and where the infamous Santa Claus incident took place.

The Palestra is a revered basketball cathedral. It has held more college hoops games than any court in the nation, for Penn, the Big Five and many others. It was at the leading edge of arena design at the time as it was one of the first without interior support pillars that obstructed sightlines.

The Palestra, University of Pennsylvania (Peetlesnumber1/Wikimedia Commons)

All that said, now back to my original point of tying the Peabody Museum to our previous work.

Klauder is also highly regarded for his master plan for the University of Colorado at Boulder. This was significant in that it established a distinct building style, later referred to as Tuscan Vernacular Revival, that CU is known for to this day. Klauder further set the precedent by subsequently designing 15 buildings on campus in the style.

In the 2000s, we added two new buildings to the CU landscape. Prior to that, recent building had strayed from the Tuscan Vernacular. But with the Wolf School of Law Building and the Center for Community, our designers built on the style Klauder established.

Center for Community and Wolf Law School, University of Colorado (Jeff Goldberg/ESTO)

Fast forward to 2018, and here we are once again, with an an opportunity to add to another Klauder design, this time at Yale. While the interior renovations will provide the first substantial modernization in the building’s history, the addition and new tower is a modern ode to the existing iconic design that has stood the test of time.

Much like the effort we started a decade ago in Colorado.

Addition, Yale Peabody Museum of Natural History (Centerbrook Architects/James Corner Field Operations)

Science and Architecture: Back to the Future!

This anaglyph-style rendering of Demerec Laboratory was created for Harbor Transcript’s 3D summer issue. If you can find 3D glasses, give it a shot!

As advancements in 3D visualization push the boundaries of virtual and augmented realities, you can imagine our surprise when longtime client Cold Spring Harbor Laboratory asked if we could create a “retro” rendering for use with 3D glasses to feature in the Summer 2017 issue of the Harbor Transcript. This rendering style looks to the past as CSHL and our design team rediscover a 1950s building that has been occupied by some of the laboratory’s most notable scientists—including Nobel laureates Alfred Hershey, Barabara McClintock, Richard Roberts, and Carol Greider—and transform it into a modern research facility.

Anaglyph images, the kind intended for viewing with 3D glasses, were first used in the late 1800s and came to prominence in U.S. cinema in the 1920s. Mainstream use in newspapers, magazines, and comic books flourished into the 1950s and ‘60s, engraining the iconic red-and-blue-lensed glasses into the cultural zeitgeist. At that same time, future Nobel laureates McClintock and Hershey were conducting their research within the newly constructed Demerec Laboratory building. Completed in 1953 during the Brutalist architecture movement, the building is brought to life in the anaglyph image which highlights the strong repetitive vertical window patterning that defined a new era of architecture in the 1950s-70s.

Aaron Trahan (far right) presents the Demerec anaglyph rendering to the office during a “Friday Dessert” session.

The biannual Harbor Transcript publication highlights current research and news across campus about scientists at the forefront of their fields. In the most recent issue, CSHL saw an opportunity to create a more dynamic and immersive experience accessible to all recipients. The unique “3D Science” issue features anaglyph imagery from current cancer research as well as a rendering of the proposed renovations and addition to the Demerec Laboratory building that our firm is involved in. Construction is slated to begin this summer on a renovation and expansion to house the new Center for Therapeutics Research, a new $75 million initiative that aims to apply the Laboratory’s biomedical expertise toward advancing therapeutics for genetic diseases.

In our office, research and testing is ongoing to study how advancements in virtual and augmented reality can benefit our design process. These burgeoning technologies allow an immersive experience for clients to gain an understanding of the volume and form of a building design that cannot be achieved with traditional renderings and animations. With all of their promise, these technologies currently fall short in their feasibility for mass distribution due to the necessity of headsets, apps, or tethering to computers.

In contrast, anaglyph images pair perfectly with print media because the iconic red and blue glasses can be easily inserted into a publication. This realization of the simplicity of what is now a “retro” technology is a perfect metaphor for the Demerec Laboratory renovations that seek to bring back the simplicity and beauty of a building from the same era. Creation of this image was a reminder that with ever-evolving technology, the best means to convey a project to a large audience isn’t always the most advanced.

This story also appears at CSHL’s newsblog LabDish. Our Demerec design team includes: Todd Andrews, Reno Migani, Aaron Trahan, Ken Cleveland, Frank Giordano, Scott Allen, Justin Hedde and Hugo Fenaux.

Ties That Bind

Reese Stadium, Yale University.

Past and present have connected in New Haven County for a pair of our longstanding clients.

Construction of the new athletic complex at Quinnipiac University began last fall on the Mt. Carmel campus in Hamden, Connecticut, and will continue through the remainder of the academic year. As a result, the Bobcat men’s and women’s lacrosse teams needed a temporary home for their respective 2017 schedules.

Enter Yale University and Reese Stadium, also one of our projects.

The Reese job entailed a significant renovation and expansion of what was then a 30-year-old facility. The modernized lacrosse and soccer stadium reopened in 2011.

Six years later, Reese has welcomed its neighbors to the north. The 1,250-seat stadium is serving as host venue for Quinnipiac’s 2017 home contests.

The Bobcat women’s lacrosse squad has already played twice at Reese. The first resulted in a win. The second was technically an away game as it came versus the primary inhabitants of the facility – the Bulldogs of Yale – and ended in defeat. They’ll be back at Reese this weekend for one of five remaining games there on the calendar.

A preseason favorite to win its conference title, the Bobcat men’s lacrosse team held the first of six “home” games at Reese this past weekend and fell by a narrow one-goal margin. Unlike the women, the Quinnipiac and Yale men aren’t scheduled to face each other in 2017. Both made the NCAA Tournament last year, however, so you never know what the future may hold.

Quinnipiac’s new lacrosse and soccer venue, as well as an adjacent field hockey facility, will open for competition later this year.

Construction progress at the new Quinnipiac complex. The lacrosse-soccer facility is in the foreground with field hockey in the background. Photo courtesy FIP Construction.

Notes from the Cube: Is Biomass a Viable Fuel Source?

Hotchkiss School, Heating Plant, Location: Lakeville CT, Architect: Centerbrook Architects

At last Friday’s “Dessert in the Cube”, Mark Herter, one of our sustainable building experts, discussed the future of biomass as a renewable thermal energy source. Mark has addressed several industry groups on the topic, including the 2014 Mid-Atlantic Biomass Heat and Power Conference.

Mark described the pros and cons of wood chips and pellets as an energy source. The public often has the impression that wood fuel is not sensible given the environmental impact of harvesting, emissions from combustion, ready access to forestland, and the special equipment required. This has slowed acceptance of the industry.

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However, when harvested using sustainable forest management, and if near to a fuel source, biomass energy can be an economically and environmentally viable alternative to fossil fuels. Mark demonstrated this in Centerbrook’s Biomass Heating Plant at The Hotchkiss School, whose wood chips displace more than 150,000 gallons of fuel oil annually. With its advanced electrostatic precipitator removing nearly all particulates from the combustion, it cuts sulphur dioxide emissions by more than 90 percent and provides fertilizer for the school’s organic farm.

Hotchkiss School, Heating Plant, Location: Lakeville CT, Architect: Centerbrook Architects

We never overlook a sustainable option here at Centerbrook.

It’s Hammer Time!

Far Brook School

We’ve been working with Far Brook School in Short Hills, New Jersey to design new buildings to house their arts and science programs. It’s a special place; clapboard-sided, mission-driven. Students there get to learn by making things with their hands. One of the buildings is fitted with a full wood shop featuring wheeled workbenches, hand tools, a short-throw projector, and ample space for kids to hammer, saw, drill, sand, rasp and shape.

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Unknown One of our finishing touches will be a sign above the shop’s front door, tucked into a gable. But it’s not just any sign, it’s a half-moon shape adorned with eight claw hammers. Four facing left, four facing right. Designed by Centerbrook and custom fabricated in steel by a local company, Asterisk, it will be a whimsical reminder to all who enter that the tools of learning need not be high tech but still require skill and patience to use effectively. Pre-distressed using an eco-friendly, chemically-induced weathering process, its rustic patina fits the honest character of Far Brook School.

Thanks to Mary Lynn Radych for the computer model, and to Patrick McCauley, our craftsman extraordinaire, for giving endless advice and building the mockup. I’ll be installing the sign very soon.

40 Years Building a Connecticut Cultural Treasure

Florence Griswold Museum

I was delighted to read this article about Jeffrey Andersen, our longtime client and Director of the Florence Griswold Museum. The museum is celebrating his 40th year on the job with a new exhibition, “Ten/Forty: Collecting American Art at the Florence Griswold Museum,” on view through the end of May.

In an era where museum directors hopscotch with abandon, Jeff’s enduring leadership has been instrumental in transforming an antique house into a nationally-recognized home for American Impressionism. We’ve been honored to work with Jeff and his committed Board of Trustees to make a place where scholars and families alike come to experience art, history, music, and community in an exquisite natural setting. He’s managed to do all this while keeping up with the times and preserving Miss Florence’s legacy. That’s no easy feat in the museum world.

The Day: The art of leadership: Jeffrey Andersen marks 40 years as the Florence Griswold Museum’s director

The Secret is Out!

QUSports-Celebrate

On Thursday, The New York Times profiled the success of Quinnipiac University’s men’s and women’s ice hockey teams. Connecticut hockey fans have known for a while that QU is a Division 1 powerhouse. We’re proud of the TD Bank Sports Center’s role in recruiting great players.

Quinnipiac University

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This year both teams are poised to win national titles. We’ll be in the stands tonight for the men’s ECAC quarterfinal against Cornell, and on Saturday when the women kick off their NCAA championship bid against Clarkson. Go Bobcats!

The New York Times: ‘This Is a Hockey School’: Quinnipiac Students and Polls Agree

Mystic Seaport Museum Progress

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The new Thompson Exhibit Building at Mystic is advancing rib by curvaceous rib. The office recently had a chance to visit the site and see the progress.

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This animation produced by the contractor, A/Z Corporation, shows the phases of construction.

More photos and recent coverage of the project:

Not just building ships at Mystic Seaport -The Day

Rainwater Collection at SCSU

The new rainwater harvesting system for the Academic and Laboratory Science Building at Southern Connecticut State University shows how the system collects rainwater and highlights the water’s pathway down to a 40,000-gallon storage tank below ground, thus reducing the use of potable water for the site irrigation by 50 percent.

The new 97,900-square-foot building is scheduled to open for the fall semester.

via Southern Connecticut State University’s Facebook page